The Vaganova method, From Wikipedia, the free encyclopedia
The Vaganova method is a method of teaching classical ballet that was founded by Agrippina Vaganova.
Vaganova was a student at the Imperial Ballet School in St Petersburg, graduating in 1897 to dance professionally with the schools parent company, the Imperial Russian Ballet. She retired from dancing in 1916 to pursue a teaching career. Following the Russian revolution of 1917, she returned to the school as a teacher in 1921, although it had by then been re-established as the Leningrad Choreographic School by the Soviet government. The Imperial Russian Ballet was also disbanded and was re-established as the Soviet Ballet.
Through the thirty years she spent teaching ballet and pedagogy, Vaganova developed a precise technique and system of instruction. Tenets of the Vaganova method include the development of lower back strength and arm plasticity, and the requisite strength, flexibility and endurance for ballet. Much of her work was focused on the capability of the dancer to perform a classical pas de deux and the skills necessary for such a performance. In terms of pedagogical training, Vaganova concentrated attention on precision in a teacher's instruction, particularly when to teach what, how long to teach, and in what amount.
Please find below links to a documentary, in 11 parts, about the Vaganova Academy, in Russia. Click on the part you want to view, and enjoy ...
In 1948, Vaganova authored a book titled "The Foundation For Dance" (more commonly known as "Basic Principles of Russian Classical Dance"). The book outlined her ideas on ballet technique and pedagogy.
Following Vaganova's death in 1951, her teaching method was preserved by instructors such as Vera Kostrovitskaya. In 1957, the school was renamed the Vaganova Ballet Academy in recognition of her achievements. Today the Vaganova method is the most common method of teaching ballet in Russia. It is also widely used in Europe and in North America. The Vaganova Ballet Academy continues to be the associate school of the former Imperial Russian Ballet, although it is now known as the Mariinsky Ballet.
Early training focuses on epaulement, or the stylized turning of the shoulders and body, which is partnered with the development of total stability and strength in the back to produce harmonious coordination of the body and continuity of movement. This core of strength enables consistently precise, easy movement of the body; the training in epaulement, in turn, instills in the dancer an intuitive anticipation of how best to use every part of his or her body to evoke breathtaking results, right down to the hands and eyes. The Vaganova Method's codified technical approach thus makes for INJURY-FREE training emphasizing the simultaneous development of both technical proficiency and individual artistry, and a complete range of movemental expression that comes out of proper placement and a strong classical dance foundation.
This scientifically proven method involves the systematic study of all ballet movements by breaking them down into their separate elements and is characterized by impeccable precision, attention to detail, ease of execution, emotion-evoking grace, and individual creativity. Ballet Fantastique's highly-qualified instructors and coaches have backgrounds not only in the Vaganova method, but also in Vaganova pedagogy-so they not only know how to dance, they also know how to work with young people. Professional Division students at our Academy take a yearly level examination in which they are individually evaluated according to notated benchmarks and are given personal feedback on their strengths and artistic and technical development, and after which they are awarded well-deserved medals of achievement.
