HOW TO FIT A FREED OF LONDON PAIR OF POINTE SHOE
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As
you may be aware, Freed of London has the honour of supplying
many of the leading ballet companies throughout the world. Determining
each dancer's individual needs relies on a vast amount of experience
gained over a great many years. However, the first rules of fitting
will always apply.
The
starting point is your current walking shoe size (for US &
Continental sizes, please refer to the chart below). Freed's lasts
are fairly close to street sizes in length; it it usual to wear
the same size or slightly smaller. It is most unusual for a dancer
to wear Freed pointe shoes larger than her walking shoe size.
However, it should be determined whether you intend to wear toe
sponges or similar since this can actually alter the length by
a half size. |
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Freed
Pointe Shoes are available from stock in four widths, so it should
therefore never be necessary to wear the wrong length to get the
correct width. To check the width you should look at the bare
foot flat on the floor and pointed forward. The fitting across
the metatarsal can then be gauged. Both shoes must always be tried
on. Initially, one should look at the "fit on the flat".
When you are tanding with weight on the feet and knees bent, your
foot will be at its largest proportion. The shoes should feel
snug but not pinch, and the dancer should feel the block "cupping"
the toes. |
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Check
that the block
contains the toe joints |
Sole
twisting away from the foot --- shoe is too narrow |
| You should be
able to feel all three points of the foot's triangle on the floor,
i.e. under the little toe joint, the big toe joint and the centre
of the heel. At this stage the side seam is also checked for tension.
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| Place foot en pointe without transferring body weight.
One can now establish the suitability of the shoe's width by checking
whether the outer sole of the shoe remains flat against the pad
of the dancer's heels. If the sole twists away from the foot, then
this indicates that the shoe is too narrow. Check also that the
block contains the toe joints. Both feet should be checked. |
Next assist the dancer to go en
pointe, it is important, particularly with a beginner, that
help and encouragement is given. The dancer must not either
releve or rise through the foot. Instead, taking both
hands, one should assist the dancer to"climb" one
foot, then the other foot, onto Pointe, whilst at always reminding
the dancer to transfer their body weight forward onto their
toes. Now one can check the heel for length. If the outer sole
of the shoe extends beyond the pad of the person's heel, the
shoe is too long.
When a dancer goes en Pointe they will draw her toes
back slightly to give her feet additional support. This added
to the fact that the foot will naturally curve in this position
means that, en Pointe, the foot is shorter in length
than when the dancer is standing flat. Quite naturally then,
when en pointe the shoe will have a slight excess of
satin in the heel area. This will be taken up when the dancer
comes down.
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If
the sole extends
beyond the heel,
the shoe is too long. |
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From http://www.freedoflondon.com/cat/pointeshoefitting.php
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